Monday Mournings: The Death of a Spouse

Today, I am pleased to have a friend from school on the blog. Originally from New York, Corin Hirsch is a food and drinks writer who now resides in the lovely state of Vermont.


DW: Who was the person that died? CH: My husband, Nicholas Sayer.

DW: How old were you at the time? CH: 30

DW: How old was Nicholas? CH: 28
DW: Was it a sudden death or did you know it was going to happen? CH: It was sudden. Nick was a tree surgeon, and was working in a pine tree when he slipped and hit some wires with his shoulder and was electrocuted. He likely (hopefully) died instantly.

DW: Did you and the person talk about death? CH: Strangely enough, we were watching a film a few nights earlier when Nick became reflective about a brush with death when he was a teenager. He imagined out loud what people would say at his funeral, and we also joked about what each of us would do if the other died -- hover around and vet potential partners, etc. He insisted that if he didn't approve of the person I was dating, he would unleash supernatural forces to drive them away.

DW: Had you experienced any other deaths in your personal life before this person died? CH: Yes, my mother died suddenly when I was 10 and she was 35. I had also lost two of my grandparents by that point.

DW: Were people supportive of your grief or did they shy away when you were grieving? CH: My family and friends were immensely supportive, even as they grieved in their own ways. My father was a rock, and friends of ours flew in from the UK (he was English). A few stuck around until his memorial service a few days later. Without all of these incredible people, I'm not sure if I would have made it through without resorting to Class A drugs. (I'm kidding, but only by half).
I was in shock for a long while, though, which didn't wear off until nearly a year later. Then, depression set in. Naturally, people move on with their lives and sometimes their patience can wear thin with a person who's blue. I tried not to impose much on others beyond the point of reasonable expectation, so grief became more private and in some ways, more insidious.

DW: Is there anything you wish you'd done differently with this person? CH: The night before Nick died, I didn't go to bed when he did because I wanted to stay up late and work on a poem for my brother and his fiancee, who were getting married a few days later. (I was supposed to read the poem at the wedding). I regret that....but on the last morning I saw him, I uncharacteristically offered to ride with him to work, at the ungodly hour of 6:30 in the morning. I remember looking at his hands in the car and thinking how much I loved those, and him. When he was walking into work, I lingered and stared at him, and he turned at the door and gave me a puzzled smile before heading inside.

DW: Was he buried or cremated? CH: A friend of Nick's went with me to the funeral home to pick up the ashes, and I rode home with them in my lap. They were still warm. Some of his ashes are buried at a cemetery in Surrey, where his family can visit; his stone overlooks the South Downs, his favorite place to wander in the woods and spy on animals. It's an almost mystical place, on the grounds of a centuries-old Christian church.

DW: Did you learn anything about the grieving process that you'd like to share? CH: Depending on circumstance, shock can last a long time, and completely bend your sense of time and location. And though the sting of the loss never completely goes away, life does go on — that's a cliche, of course, but you realize how quickly the world swallows up our memory. The people who knew Nick will never forget him, but in a generation or two, who will remember him, or me, or you? It's very humbling, and when you grieve someone's death, you can see that process happening in real time.

DW: Were any songs played at the memorial that were important to Nicholas? CH: Wilco & Bill Bragg, Remember The Mountain Bed. I had listened to that song all autumn while running in the woods, and its lyrics were (and still are) resonant. Nick's brother learned it and played it at his UK memorial.

That, and Tom Waits 'Take It With Me' Nick listened to it a few times before he passed and once I caught him tearing up to the lyrics. It makes you wonder, did he know somehow?
This goes out to Nicholas.

A Bit o' my Book!

Hey folks! So, I was supposed to do an interview today that kept getting postponed and delayed and yadda yadda yadda, so guess what? Today it was officially cancelled. The best laid plans and all that jazz. What does this mean? I've got nothing for you, dear reader. And this makes me feel kind of guilty because I'm one of those types that feels an enormous amount of anxiety if I say I'm going to do something and I can't do it. I'm the kind of person who shows up, usually 15 minutes early so I can case the joint and feel less weird, but by golly, I'll show up. I may not be dressed to the nines or have neatly pressed hair, but I'm there and that has to count for something.

And because this interview was cancelled, I also feel like a bloser. (That's a blogging loser.) Somebody, donated to my blog, so that makes me feel totally motivated to keep the content appearing. I don't want her to feel like she's donating her hard earned money to a lazy, no writing kind of writer. To rectify this situation, I have decided to take a random few pages from my book and post them here. These pages may mean nothing to you, but once you read the book, they'll mean a lot. This excerpt is about my scariest day exploring death. So much was at stake. I thought I was going to be a hero and reunite a really nice woman with the child she never got to know and it didn't work out that way.

So, enjoy. And happy hump day! P.S. I have deleted the names of the Church and of the Mom.



     With two letters and a surprisingly beautiful painting of roses that Sonya made for her daughter out of a children’s set of watercolor paints, I drive the two and a half hours to Tyler, TX. My original plan was to bring Erik and the kids, but I have to be on the road at 6:30 to make it to the church before the service starts, and it doesn’t seem fair to subject them to this crazy mission on a Sunday morning. Besides, this is a solitary task that must be completed in a quick, efficient manner. If I linger too long, I will stand out like Mr. Rogers at a Heavy Metal concert among the Pentecostal crowd with their long, pulled back hair, ankle length skirts and long sleeves. Despite my best effort to craft a conservative black ensemble from the available clothes in my closet, I look more like I’m attending a Johnny Cash concert.

     I stop at a McDonald’s in Tyler to use the restroom and out of guilt I buy a mocha latte. Not a wise choice, considering I’m already in fight or flight mode. Sweat is trickling down the inside of my black cardigan and my hands are visibly shaking as I pull back out onto the main road. I don’t know why I’m so worked up. It’s just a church and I’m just the messenger. I don’t even have to talk if I don’t want to. I just have to hand over the envelopes, the painting and leave. That’s it.

     But, really, who am I kidding? I’m a stranger in a strange land, delivering a message that no one wants to hear.

     The _________ Church of Tyler is at the end of a long residential road and consists of two adjacent brown buildings that aren’t particularly ornate or church like. I pull into their parking lot and park in the designated “visitor” spot. I watch as a man in a black suit exits his car with his two young children and enters the main building. I try calling my Mom for a pep talk but she doesn’t answer, nor does Erik who is probably still sound asleep. I’m unsure as to which building to enter—the one with the people or the one without the people. I don’t know if it’s because I’m scared or because it’s Sunday or because I’m about to enter a house of worship, but I say “God, help me” and exit my car.

     I place the envelopes inside my roomy black purse and clutch the painting and coffee in both hands, which makes opening the door to the second building problematic. I walk in, not expecting a soul, but I’m greeted with “Good morning” by three adolescent girls standing at a counter. One of them is Maddie, Khristian and Sonya’s daughter. Her long brown hair is free from the secured braid that I’ve seen in every picture of her; it cascades in long, dark waves down the back of her floor length purple dress. My heart feels as if it is going to pop out of my mouth. The three girls look towards me with curiosity.

     “Hi. Um, I’m looking for ____ ___________. Is she here?” My voice quivers.

     Maddie steps out from behind the counter. I want to tell her so much—that her dad loved her and wanted nothing more in life than to meet her and that her Mom is a lovely, intelligent woman but she’s stuck behind prison walls and can’t reach out to her. She points towards the hall.

     “She’s down that hallway in the kids’ room.”

     “Okay.”

     I take two steps forward and then freeze in place—this is it—what am I waiting for? Maddie is now behind the counter with the two other girls. I quickly walk over unsure of what to say. Meeting her without one of her parents glued to her side wasn’t how I envisioned this thing happening.

     “Are you Maddie?”

     “Yes.”

    “Hi. I have something for you.” I hand her the painting. She gently takes it from my hands and holds it by the outside edges, like one would hold a photograph so as not to smudge the picture. She studies the words on it—“My Daughter, My Heart.” 
     “It’s from your mother. Your biological mother,” I clarify, hoping to impose some sort of understanding.

     One of the girls says, “What?” as if this was the craziest thing she’d ever heard. Oh God, what have I done? I dig through my purse and grab the letter addressed to her.

    “This is a letter from her to you.” 
    “Thank you,” she says and takes it from my trembling hands.

   “I’m sorry. I’m really nervous. I’m going to go talk to _________.”

   I high tail it to the hallway, leaving these three sheltered girls with the after effects of my verbal bomb. I don’t even have three seconds to compose myself. _______ and an older woman with black hair in a bun eye me suspiciously as I walk towards them. I can’t catch my breath.

   “Hi, um, my name is Pamela Skjolsvik, uh, and I’m a friend of your sisters,” I say, my voice sounding as if I’ve just finished a relay race.

   ________’s strawberry blonde hair is piled into a bun with a few loose curls that frame her makeup free face. She looks at me quizzically.

   “Sister?” she questions.

   “Sonya.”

   _________’s facial expressions change from perplexed to pure anger and it’s directed at me, the messenger. The black haired woman who isn’t as colorfully ornamented as ______ steps in closer to her to block my entrance into the room.

   “I have a letter from her to you. I just need to get it out of my purse.”

   I walk between them, deeper into the room and plop my purse and coffee onto a low table and proceed to rifle through my bag. These two women probably think I have a lot of gall to invade their space, but if they could only listen to the sound of my pounding heart, they’d realize how afraid I am.

   “Here,” I say and hand her the letter. “Sonya wants visitation with her daughter.”

   “Uh, huh.” ________ backs away from me as if I have horns and a tail.

   “That’s it.” I say. No big deal. I sling the bulky purse over my shoulder and step out into the hallway and almost as an afterthought, I turn back towards the two women.

   “I also gave a letter to Madison.”

   Both women sprint from the room in different directions like some sort of folk family swat team. When I exit the building, I find that Maddie and her two friends have disappeared from behind the counter. The black haired woman follows me out into the courtyard. She is joined by the man I saw earlier in the black suit. They stand on the steps of their church and watch me—the bumbling messenger of doom—as I search through every nook and cranny of my purse to find my keys.

   Once inside the safety of my car, I lock the doors and call Erik. The man and woman stare in the direction of my car with stern expressions, their arms folded firmly across their chests. Part of me wants them to feel a bit of the panic that I felt entering their domain. I just sit there taunting them with my inactivity, but as soon as Erik answers, a flood of suppressed emotion gushes out of me, something I don’t want them to see—I’m human and I’m scared. I pull out of the lot—one hand on my phone and one hand on the wheel. No matter how justified I feel that what I’ve done is right, I feel as reckless as if I’d brandished a gun.




I'm Baaaaaaaaaaaaaaaaack!

It was very nice to take a break from the blog.  While I do miss the interaction from fellow bloggers, I was getting a little burnt out.  Unlike other blogs, I don't really write my own content.  I'm constantly searching for people to interview so I feel like I'm a one woman internet death source and that gets frustrating sometimes.

So what did I do on my break?
Well, I started attending a citizen's police academy in my home town.  Weird, yes.  But, I like to do things that allow me to meet new people and learn about things that I know little about.  Like the police.  I've toured the jail, I've told bad jokes, I've learned about traffic and accidents and I have eaten zero donuts.  So, there. I have a lot of respect for these men and women, even those who have given me traffic tickets.  They're just doing their job.

I also took a little trip to California to celebrate my mother's 80th birthday. We ate a lot, drank a lot and it actually felt like a real vacation.  I don't get many of those, so it was all good. Here was the bad part.  I flew Southwest airlines and my plane stopped three times on the way to California.  The first time I boarded, I was stuck in a middle seat, but when those folks deplaned, I grabbed a bulkhead seat.  I thought I was all cool until the next group of people boarded.  The first lady on the plane was elderly and she took the aisle seat on my row.  Then a larger woman sat down in the middle seat.  She kept playing with her i Pad and elbowing me in the ribs before take off.  Not once did she apologize.  When we were finally in the air, the lady on the end turns to her and says, "So, where ya from?" in a loud, shrill voice. Their conversation would last three minutes and it would repeat, verbatim every ten minutes.  It was like the movie Groundhog's Day but worse.  On the bright side, I got to use the Kindle I won at the library and was able to escape into a good book, "Gone Girl" by Gillian Flynn.  I very much enjoyed it.  "So, where ya from?"

I did a little writing (including some fiction!!!) and a few people have my manuscript.  The ending is still not there, but I've received some encouraging feedback.  Now, I have to figure out if I keep querying agents or just publish this puppy myself.  It's a tough decision.

I have also been debating going back to school to become a teacher.  I need a job.  I've applied to several places and I don't know if it's because the economy stinks or because I'm overqualified or because the simple Google of my name has 10 pages of death associated with it--I don't know.  But, till I land that job,
you'll see that I've added a "Donate" button to my blog.  My dad doesn't think an occupation is real unless you make money from it.  So, if you feel so inclined to prove my dad wrong or maybe you just enjoy my content and want to buy me a cup of coffee (pumpkin spice latte from Starbucks) I'd appreciate it.  I feel like a total panhandler for doing it, but we all have to pay the bills somehow.  Maybe one of my lurkers is Bill Gates or something.  If so, hi Bill!

Okay, I do have an interview coming up on Thursday and it's gonna be good.  In the meantime, here's a movie recommendation.  It's called "Sunshine Cleaning" and it's a very entertaining flick.  I interviewed a biohazard cleaner for my book.  Tough, stinky job.  Enjoy and happy Monday!